An epic retelling of an interesting chapter from Maratha history

Following Farzand and Fatteshikast, Digpal Lanjekar’s 1st two videos in the series of films committed to the bravery of Chhatrapati Shivaji Maharaj and the Maratha army, the writer-director returns with a bang in the third film of the series – Pawankhind.

The movie, which was delayed owing to the pandemic, is based on a single of the most famed incidents from Maratha record – the Battle of Pavan Khind. At the outset, the makers make it very clear that this is not a full documentation of the battle, its prelude or aftermath, but a cinematic recreation meant to showcase the bravery of the Marathas concerned in this struggle. So, there are cinematic liberties taken in this retelling, but the crux of the tale is preserved.

The tale about the Battle of Pavan Khind (before identified as Ghod Khind) and the bravery exhibited by Bajiprabhu Deshpande and the Bandal military of 600 versus the Siddhi Masud and the troopers of the Adilshahi Sultanate is effectively known across Maharashtra. The result – Chhatrapati Shivaji Maharaj’s profitable escape from Panhalgad to Vishalgad. But, does Lanjekar do well in recreating this essential chapter from Marathi historical past on display? Absolutely!

Pawankhind is a complete cinematic working experience that is suit for the big screen. The film is ambitious in striving to investigate this tale in two and a half hours, but it mostly succeeds in making the suitable establish up and atmosphere that leads to a superb climax. From laying out the cause and the figures associated in it, to the siege of Panhala by Siddhi Jauhar, the escape approach and the precise struggle, Pawankhind lays out all its cards in entrance you chronologically, while inducing a dose of heritage, drama and even comic relief in in between. The movie doesn’t miss out on out on supplying because of credit score to the majority of the generals who helped Shivaji Maharaj realise his dream of Swarajya.

As for the actors, it’s not an quick task to deliver some of the most very well –known names from the Marathi film and Tv set industry together in a multi-starrer of this scale. But the casting office and makers pull off this feat. Chinmay Mandlekar as Shivaji Maharaj, Ajay Purkar as Bajiprabhu Deshpande, Sameer Dharmadhikari as Siddhi Jauhar, Aastad Kale as Siddhi Masud, Ankit Mohan as Rayaji Bandal, Mrinal Kulkarni as Maasaheb Jijau, Akshay Waghmare as Koyaji Bandal each individual actor has presented his greatest to their roles. Even the supporting cast has some unforgettable performances from Kshitee Jog as Badi Begum, Harish Dudhade as Bahirji Naik, Shivraj Waichal as Harpya, Rishi Saxena as Rustam Zaman. Yet another notable general performance that stands out is that of Ajinkya Nanaware as Shiva Kashid, the guy who resembled Shivaji Maharaj and sacrificed himself for his king. The scenes involving Ajinkya and Chinmay are sure to deliver tears to your eyes.

While Pawankhind excels in storytelling, the technical elements, though excellent, could have been much better. The track record rating overpowers dialogues in some important scenes, and the action choreography in some scenes fails to make the minimize. Having said that, all stated and performed, the complete staff has carried out its finest to make this a massive display experience. Probably with a larger funds, these issues can be ironed out in the next films of Lanjekar’s series.

For now, Pawankhind is a fantastic check out, and at the cinemas only.

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